- The Ethics of the Art Market: When Financial Products Shape Content
Sébastien Montabonel (Art Institutions of the 21st Century Foundation, London)
- The Art Museum of the Future – A Dystopia?
Julia Voss (Leuphana University, Lüneburg)
- Artistic Freedom in a Complex Society
Martin Myrone (Tate Britain)
- Museums, Collections, and Trustees: the Public/Private Divide
Nizan Shaked (College of the Arts, California State University)
- Private Contributions to Museums’ Collecting Practices in Brazil:
Interdependency, Convergence, and Conflicts
Ana Letícia Fialho (Office of Cultural Economy, Brazilian Ministry of Culture)
- Museums’ Massive Deaccessions as a New Collecting Practice
Eva Szereda (Independent Scholar, Lausanne)
- Ars Electronica Gallery Spaces: The New Platform Connecting Media Art and
the Art Market
Christl Baur (Ars Electronica, Linz)
- Customize the Collection? How Contemporary Art Commissioning Impacts
on Museum Collections and Gallery Business
Franziska Wilmsen (Loughborough University)
- The Myth of the Art Market: Neoliberalism in the Social Order of
Contemporary Art
Jonathan Harris (Birmingham City University)
- The Musée d’Art Contemporain Africain Al Maaden (MACAAL) in Marrakech:
A Case Study in Collecting and Place-Making
Stephanie Dieckvoss (Kingston University, London)
- From Private Collection to Art Canon: The Uli Sigg Collection
Nicola Foster (Southampton Solent University)
- Creating a New Canon for a State Collection: Proposals for the First Moscow
Museum of Contemporary Art
Marina Maximova (Loughborough University)